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	<title>Comments on: Fibonacci Composition</title>
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		<title>By: Fibbass 2010 &#124; Colin Sullivan</title>
		<link>http://colin-sullivan.com/main/archives/582/comment-page-1#comment-139</link>
		<dc:creator>Fibbass 2010 &#124; Colin Sullivan</dc:creator>
		<pubDate>Sun, 09 May 2010 17:24:46 +0000</pubDate>
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		<description>[...] is the result of this semester&#8217;s work on my Fibonacci composition:  Audio MP3AudioPlayer.embed(&quot;f-html5audio-0&quot;, {soundFile: [...]</description>
		<content:encoded><![CDATA[<p>[...] is the result of this semester&#8217;s work on my Fibonacci composition:  Audio MP3AudioPlayer.embed(&quot;f-html5audio-0&quot;, {soundFile: [...]</p>
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		<title>By: Scott McCoy</title>
		<link>http://colin-sullivan.com/main/archives/582/comment-page-1#comment-97</link>
		<dc:creator>Scott McCoy</dc:creator>
		<pubDate>Mon, 15 Mar 2010 15:59:30 +0000</pubDate>
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		<description>The project sounds intriguing!  There are several resources you should check out, and several examples of Fibonacci series being utilized in composition.

First, check out &quot;Formalized Music&quot; by Iannis Xenakis.  Also, look him up in the New Grove to get an idea of where he comes from.

Second, look at some of the Bartok String Quartets; many of his scores feature use of the Fibonacci Golden Mean (.618) as a climactic point within the music.</description>
		<content:encoded><![CDATA[<p>The project sounds intriguing!  There are several resources you should check out, and several examples of Fibonacci series being utilized in composition.</p>
<p>First, check out &#8220;Formalized Music&#8221; by Iannis Xenakis.  Also, look him up in the New Grove to get an idea of where he comes from.</p>
<p>Second, look at some of the Bartok String Quartets; many of his scores feature use of the Fibonacci Golden Mean (.618) as a climactic point within the music.</p>
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